|
|
The Meltdown
(2026)
|
Eulàlia Iglesias
|
Although timely, this transnational vision somewhat dilutes the focus of a film that finds much of its strength in its geographical encapsulation.
Posted May 15, 2026
Edit critic review
|
|
|
Fatherland
(2026)
|
Àngel Quintana
|
Pawlikowski films the end of a world based on humanist faith in culture as a moral refuge from barbarism. [Full review in Spanish]
Posted May 15, 2026
Edit critic review
|
|
|
Fatherland
(2026)
|
Carlos F. Heredero
|
Its meticulous formal stylization constructs a delicate and elegant weaving of ascetic images in which literature, cinema, and the history of a continent converge. [Full review in Spanish]
Posted May 15, 2026
Edit critic review
|
|
|
Parallel Tales
(2026)
|
Carlos F. Heredero
|
Rarely has it been so evident on screen how a filmmaker gets lost in his own labyrinth without ever being aware that all the paths he insists on exploring are sterile dead ends that ultimately border on the absurd. [Full review in Spanish]
Posted May 15, 2026
Edit critic review
|
|
|
Nagi Notes
(2026)
|
Carlos F. Heredero
|
In the humility and sincerity of its style, in the respect it shows for the coherence of its characters, and in the tact with which it unfolds its message, Fukada's modest film finds its most valuable strengths. [Full review in Spanish]
Posted May 14, 2026
Edit critic review
|
|
|
Nagi Notes
(2026)
|
Àngel Quintana
|
A delicate proposition: an X-ray of survival in a fragile world, where the issue is no longer the alienation of the sixties but the acceptance of a present in which no relationship manages to escape the wear and tear of time.[ Full review in Spanish]
Posted May 14, 2026
Edit critic review
|
|
|
Butterfly Jam
(2026)
|
Jara Yáñez
|
There is a personal vision in the film that conveys, in the background, the same vulnerability it tries to portray in its characters. [Full review in Spanish]
Posted May 14, 2026
Edit critic review
|
|
|
Pan's Labyrinth
(2006)
|
Jaime Pena
|
Such is the case that Pan's Labyrinth has already achieved the status of a contemporary classic, and there's no better way to evaluate it than with the perspective of these twenty years. [Full review in Spanish]
Posted May 14, 2026
Edit critic review
|
|
|
Dua
(2026)
|
Àngel Quintana
|
One of the film's greatest strengths lies in the director's handling of space. Narrow corridors and rooms function as refuges, while the city's open spaces become territories marked by danger and uncertainty. [Full review in Spanish]
Posted May 14, 2026
Edit critic review
|
|
|
A Woman's Life
(2026)
|
Carlos F. Heredero
|
Narrowly focused on local themes, the film gradually loses its way, frame by frame, following every conventional path it encounters. [Full review in Spanish]
Posted May 14, 2026
Edit critic review
|
|
|
A Woman's Life
(2026)
|
Àngel Quintana
|
More than narrating a conventional love story, A Woman's Life ultimately constructs a melancholic portrait of a woman who discovers that rebuilding herself can be far more difficult than reconstructing the faces of others. [Full review in Spanish]
Posted May 14, 2026
Edit critic review
|
|
|
Ashes
(2026)
|
Àngel Quintana
|
The result is a sober and painful work, at times overly sentimental. A film marked by the inexorable weight of tragedy but also by a sensitive gaze toward those characters who try, despite everything, to find a way to move forward.[Full review in Spanish]
Posted May 14, 2026
Edit critic review
|
|
|
Teenage Sex and Death at Camp Miasma
(2026)
|
Àngel Quintana
|
The film doesn't dismantle the slasher genre's conventions to free itself from them; on the contrary, it reveals the extent to which escaping its symbolic structures is impossible. [Full review in Spanish]
Posted May 14, 2026
Edit critic review
|
|
|
Teenage Sex and Death at Camp Miasma
(2026)
|
Eulàlia Iglesias
|
Confirms Schoenbrun as one of the most talented figures in contemporary cinema, capable of introducing a fresh and enticing perspective to yet another meta take on the slasher genre. [Full review in Spanish]
Posted May 14, 2026
Edit critic review
|
|
|
The Electric Kiss
(2026)
|
Àngel Quintana
|
Perhaps therein lies the film's charm, in making us understand that, sometimes, we can only love what we have first learned to imagine. [Full review in Spanish]
Posted May 13, 2026
Edit critic review
|
|
|
Sleepless City
(2025)
|
Àngel Quintana
|
Attempts to understand what happens when the future is transformed, when in a world without dreams something is left behind and when human relationships can be modified. [Full review in Spanish]
Posted Jun 04, 2025
Edit critic review
|
|
|
Sleepless City
(2025)
|
Jaime Pena
|
Galoe makes no secret of the fact that this is a place where drug trafficking takes place, but his film constantly avoids the sordid, focusing as it does on its young protagonists, for whom he wants to imagine a future. [Full review in Spanish]
Posted Jun 04, 2025
Edit critic review
|
|
|
The Disappearance of Josef Mengele
(2025)
|
Àngel Quintana
|
Serebrennikov maintains his dignity. [Full review in Spanish]
Posted Jun 03, 2025
Edit critic review
|
|
|
The Phoenician Scheme
(2025)
|
Carlos F. Heredero
|
...a film that is a bit less artificial and rushed than Asteroid City, and somewhat more human in the portrayal of its protagonists, although no less controlled. [Full review in Spanish]
Posted Jun 03, 2025
Edit critic review
|
|
|
Eleanor the Great
(2025)
|
Àngel Quintana
|
A discreet film that forces emotion through saccharine discourse. [Full review in Spanish]
Posted Jun 03, 2025
Edit critic review
|
|
|
Highest 2 Lowest
(2025)
|
Àngel Quintana
|
The thriller is the pretext that maintains the intrigue, but the most interesting aspect of the film are the footnotes, the ironic asides, and the twilight gaze that moves between the images. [Full review in Spanish]
Posted Jun 03, 2025
Edit critic review
|
|
|
Splitsville
(2025)
|
Àngel Quintana
|
Splitsville is a small feat, simply a pleasant film. [Full review in Spanish]
Posted Jun 03, 2025
Edit critic review
|
|
|
Alpha
(2025)
|
Carlos F. Heredero
|
Another pompous and noisy ceremony of narcissistic authorship. [Full review in Spanish]
Posted Jun 03, 2025
Edit critic review
|
|
|
Alpha
(2025)
|
Àngel Quintana
|
An important film by a filmmaker who constantly seeks new ways to think about and represent the body. [Full review in Spanish]
Posted Jun 03, 2025
Edit critic review
|
|
|
It Was Just an Accident
(2025)
|
Àngel Quintana
|
The filmmaker prefers to act with elegance and tell us that evil is not banal, but always there, lurking without a human face. [Full review in Spanish]
Posted Jun 03, 2025
Edit critic review
|
|
|
It Was Just an Accident
(2025)
|
Carlos F. Heredero
|
A small film, but with an incisive and courageous narrative thrust. [Full review in Spanish]
Posted Jun 03, 2025
Edit critic review
|
|
|
Mama
(2025)
|
Eulàlia Iglesias
|
Sinai avoids the genre's more extreme or sentimental tone to present a naturalistic drama that relies primarily on the performance of its lead actress and evolves in harmony with her character, with stubbornness and resilience. [Full review in Spanish]
Posted Jun 03, 2025
Edit critic review
|
|
|
The Richest Woman in the World
(2025)
|
Àngel Quintana
|
Huppert acts as a cold, all-powerful lady in a world of luxury and excess, while Laurent Lafitte plays a character who is all about excess and whose true intentions are never fully understood. [Full review in Spanish]
Posted Jun 03, 2025
Edit critic review
|
|
|
Magellan
(2025)
|
Àngel Quintana
|
The filmmaker achieves an epic dimension through a narrative construction that eschews spectacularity, but has moments of great power. [Full review in Spanish]
Posted Jun 03, 2025
Edit critic review
|
|
|
The Love That Remains
(2025)
|
Àngel Quintana
|
Hlynur Pálmason decides to portray the daily life of a separated family. [Full review in Spanish]
Posted Jun 03, 2025
Edit critic review
|
|
|
Eagles of the Republic
(2025)
|
Àngel Quintana
|
Saleh creates a colorful thriller, but one that sometimes feels mechanical in its execution. [Full review in Spanish]
Posted Jun 03, 2025
Edit critic review
|
|
|
Eagles of the Republic
(2025)
|
Carlos F. Heredero
|
A dark and pessimistic kaleidoscope of the country, to which Tarik Saleh cannot return. [Full review in Spanish]
Posted Jun 03, 2025
Edit critic review
|
|
|
Nino
(2025)
|
Eulàlia Iglesias
|
Nino owes part of its power to Théodore Pellerin, who perfectly embodies the idea of masculine vulnerability very typical of his generation. [Full review in Spanish]
Posted Jun 03, 2025
Edit critic review
|
|
|
Little Amélie or the Character of Rain
(2025)
|
Eulàlia Iglesias
|
A film aimed primarily at children and young people, it nevertheless exudes a certain outdated aroma in its vision of the links between East and West. [Full review in Spanish]
Posted Jun 03, 2025
Edit critic review
|
|
|
The Mastermind
(2025)
|
Carlos F. Heredero
|
Deceptively small and discreet, The Mastermind is actually a great, memorable film. [Full review in Spanish]
Posted Jun 03, 2025
Edit critic review
|
|
|
The Mastermind
(2025)
|
Àngel Quintana
|
Any admirer of the filmmaker might find it hard to imagine Reichardt making a heist film, but she manages to take an ironic look at the genre and ultimately transform the film into a classic tale of wandering. [Full review in Spanish]
Posted Jun 03, 2025
Edit critic review
|
|
|
Young Mothers
(2025)
|
Carlos F. Heredero
|
The whole film forms a tough but luminous film, from whose folds within the humanist spirit of its creators and their confidence in the goodness of human beings despite their most terrible circumstances eventually emerge. [Full review in Spanish]
Posted Jun 03, 2025
Edit critic review
|
|
|
Young Mothers
(2025)
|
Àngel Quintana
|
As is typical in the Dardennes' films, at the end of the journey, some humanity that had been dormant is revealed. [Full review in Spanish]
Posted Jun 03, 2025
Edit critic review
|
|
|
Sorry, Baby
(2025)
|
Àngel Quintana
|
The filmmaker speaks to the victim's pain, expressing it very clearly and convincingly, without descending into victimization. [Full review in Spanish]
Posted Jun 03, 2025
Edit critic review
|
|
|
Resurrection
(2025)
|
Àngel Quintana
|
Bi Gan plays with excess, with the saturation of forms and movements, but offers us the most beautiful and disturbing images. [Full review in Spanish]
Posted Jun 03, 2025
Edit critic review
|
|
|
Resurrection
(2025)
|
Carlos F. Heredero
|
A bold and ambitious film, a work happily outside the norm, one of those titles that warrants an entire festival. [Full review in Spanish]
Posted Jun 03, 2025
Edit critic review
|
|
|
Love Me Tender
(2025)
|
Àngel Quintana
|
A gem. [Full review in Spanish]
Posted Jun 03, 2025
Edit critic review
|
|
|
Caravan
(2025)
|
Eulàlia Iglesias
|
Caravan points to a director with sense and sensitivity in her portrayal of a wandering woman and an alternative experience of motherhood. [Full review in Spanish]
Posted Jun 03, 2025
Edit critic review
|
|
|
Yes
(2025)
|
Àngel Quintana
|
The three movements that make up this musical tragedy are shot through with rage, the need to fight against everything, to make clear the contradiction of accepting one's own Jewish identity. [Full review in Spanish]
Posted Jun 03, 2025
Edit critic review
|
|
|
Sentimental Value
(2025)
|
Àngel Quintana
|
It is appreciated that in the constant mirroring between art and life, in this tale of misunderstandings and abandonment, everything flows with a certain ease, and that the film does not end up in predictable dark territories.[Full review in Spanish]
Posted Jun 03, 2025
Edit critic review
|
|
|
Sentimental Value
(2025)
|
Carlos F. Heredero
|
This new film fails in its attempt to pose a reflection on the relationship between life and cinema, a territory that is always as attractive as it is risky. [Full review in Spanish]
Posted Jun 03, 2025
Edit critic review
|
|
|
Woman and Child
(2025)
|
Àngel Quintana
|
Woman and Child could work as a popular melodrama, but the psychological construction of the characters is too stereotypical. [Full review in Spanish]
Posted Jun 03, 2025
Edit critic review
|
|
|
Woman and Child
(2025)
|
Carlos F. Heredero
|
The dramatic construction and staging of the story inevitably lead the film into territory almost bordering on a melodramatic soap opera, which completely devalues the scope of the proposal. [Full review in Spanish]
Posted Jun 03, 2025
Edit critic review
|
|
|
The Six Billion Dollar Man
(2025)
|
Àngel Quintana
|
Filmed using a wealth of diverse materials and interviews with numerous witnesses, the final result is a powerful documentary that will end up making history and is on track to be the most awarded of the next season. [Full review in Spanish]
Posted Jun 03, 2025
Edit critic review
|
|
|
The Girls We Want
(2025)
|
Jara Yáñez
|
The most valuable aspect of Prïncia Car's proposal is the way it plays with choral dialogue. [Full review in Spanish]
Posted Jun 03, 2025
Edit critic review
|
Continue with Google
>
