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Àngel Quintana

Àngel Quintana's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).

Reviews

Movies TV Shows
Fatherland (2026) 95% EDIT “Pawlikowski films the end of a world based on humanist faith in culture as a moral refuge from barbarism. [Full review in Spanish]” – Caimán Cuadernos de Cine May 15, 2026 Full Review Nagi Notes (2026) 94% EDIT “A delicate proposition: an X-ray of survival in a fragile world, where the issue is no longer the alienation of the sixties but the acceptance of a present in which no relationship manages to escape the wear and tear of time.[ Full review in Spanish]” – Caimán Cuadernos de Cine May 14, 2026 Full Review Dua (2026) EDIT “One of the film's greatest strengths lies in the director's handling of space. Narrow corridors and rooms function as refuges, while the city's open spaces become territories marked by danger and uncertainty. [Full review in Spanish]” – Caimán Cuadernos de Cine May 14, 2026 Full Review A Woman's Life (2026) 94% EDIT “More than narrating a conventional love story, A Woman's Life ultimately constructs a melancholic portrait of a woman who discovers that rebuilding herself can be far more difficult than reconstructing the faces of others. [Full review in Spanish]” – Caimán Cuadernos de Cine May 14, 2026 Full Review Ashes (2026) 83% EDIT “The result is a sober and painful work, at times overly sentimental. A film marked by the inexorable weight of tragedy but also by a sensitive gaze toward those characters who try, despite everything, to find a way to move forward.[Full review in Spanish]” – Caimán Cuadernos de Cine May 14, 2026 Full Review Teenage Sex and Death at Camp Miasma (2026) 100% EDIT “The film doesn't dismantle the slasher genre's conventions to free itself from them; on the contrary, it reveals the extent to which escaping its symbolic structures is impossible. [Full review in Spanish]” – Caimán Cuadernos de Cine May 14, 2026 Full Review The Electric Kiss (2026) 59% EDIT “Perhaps therein lies the film's charm, in making us understand that, sometimes, we can only love what we have first learned to imagine. [Full review in Spanish]” – Caimán Cuadernos de Cine May 13, 2026 Full Review Sleepless City (2025) 86% EDIT “Attempts to understand what happens when the future is transformed, when in a world without dreams something is left behind and when human relationships can be modified. [Full review in Spanish]” – Caimán Cuadernos de Cine Jun 4, 2025 Full Review The Disappearance of Josef Mengele (2025) EDIT “Serebrennikov maintains his dignity. [Full review in Spanish]” – Caimán Cuadernos de Cine Jun 3, 2025 Full Review Eleanor the Great (2025) 66% EDIT “A discreet film that forces emotion through saccharine discourse. [Full review in Spanish]” – Caimán Cuadernos de Cine Jun 3, 2025 Full Review Highest 2 Lowest (2025) 83% EDIT “The thriller is the pretext that maintains the intrigue, but the most interesting aspect of the film are the footnotes, the ironic asides, and the twilight gaze that moves between the images. [Full review in Spanish]” – Caimán Cuadernos de Cine Jun 3, 2025 Full Review Splitsville (2025) 84% EDIT “Splitsville is a small feat, simply a pleasant film. [Full review in Spanish]” – Caimán Cuadernos de Cine Jun 3, 2025 Full Review Alpha (2025) 58% EDIT “An important film by a filmmaker who constantly seeks new ways to think about and represent the body. [Full review in Spanish]” – Caimán Cuadernos de Cine Jun 3, 2025 Full Review It Was Just an Accident (2025) 98% EDIT “The filmmaker prefers to act with elegance and tell us that evil is not banal, but always there, lurking without a human face. [Full review in Spanish]” – Caimán Cuadernos de Cine Jun 3, 2025 Full Review The Richest Woman in the World (2025) EDIT “Huppert acts as a cold, all-powerful lady in a world of luxury and excess, while Laurent Lafitte plays a character who is all about excess and whose true intentions are never fully understood. [Full review in Spanish] ” – Caimán Cuadernos de Cine Jun 3, 2025 Full Review Magellan (2025) 89% EDIT “The filmmaker achieves an epic dimension through a narrative construction that eschews spectacularity, but has moments of great power. [Full review in Spanish]” – Caimán Cuadernos de Cine Jun 3, 2025 Full Review The Love That Remains (2025) 94% EDIT “Hlynur Pálmason decides to portray the daily life of a separated family. [Full review in Spanish]” – Caimán Cuadernos de Cine Jun 3, 2025 Full Review Eagles of the Republic (2025) 75% EDIT “Saleh creates a colorful thriller, but one that sometimes feels mechanical in its execution. [Full review in Spanish] ” – Caimán Cuadernos de Cine Jun 3, 2025 Full Review The Mastermind (2025) 90% EDIT “Any admirer of the filmmaker might find it hard to imagine Reichardt making a heist film, but she manages to take an ironic look at the genre and ultimately transform the film into a classic tale of wandering. [Full review in Spanish]” – Caimán Cuadernos de Cine Jun 3, 2025 Full Review Young Mothers (2025) 95% EDIT “As is typical in the Dardennes' films, at the end of the journey, some humanity that had been dormant is revealed. [Full review in Spanish]” – Caimán Cuadernos de Cine Jun 3, 2025 Full Review Sorry, Baby (2025) 97% EDIT “The filmmaker speaks to the victim's pain, expressing it very clearly and convincingly, without descending into victimization. [Full review in Spanish] ” – Caimán Cuadernos de Cine Jun 3, 2025 Full Review Resurrection (2025) 91% EDIT “Bi Gan plays with excess, with the saturation of forms and movements, but offers us the most beautiful and disturbing images. [Full review in Spanish]” – Caimán Cuadernos de Cine Jun 3, 2025 Full Review Love Me Tender (2025) 86% EDIT “A gem. [Full review in Spanish]” – Caimán Cuadernos de Cine Jun 3, 2025 Full Review Yes (2025) 91% EDIT “The three movements that make up this musical tragedy are shot through with rage, the need to fight against everything, to make clear the contradiction of accepting one's own Jewish identity. [Full review in Spanish]” – Caimán Cuadernos de Cine Jun 3, 2025 Full Review Sentimental Value (2025) 95% EDIT “It is appreciated that in the constant mirroring between art and life, in this tale of misunderstandings and abandonment, everything flows with a certain ease, and that the film does not end up in predictable dark territories.[Full review in Spanish]” – Caimán Cuadernos de Cine Jun 3, 2025 Full Review
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