Devan Suber
Devan Suber's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).
Obsession (2025)
95%
EDIT
“Familiar as it may be, Obsession provides a firm introduction to multiple budding talents while providing all the sick thrills and nasty twists on morality one could ask for.” –
The Film Stage
May 13, 2026
Full Review
Blue Film (2025)
94%
EDIT
“This masterful two-hander wants, more than anything, to extend understanding to both men at the center, asking you to see them as flawed humans with depth and complexity, even if we’d rather not.” –
The Film Stage
May 6, 2026
Full Review
Faces of Death (2026)
68%
EDIT
“It’s a film that recognizes there’s a little bit of a sicko in all of us, and there may be nothing we can do about it.” –
The Film Stage
Apr 6, 2026
Full Review
Nirvanna the Band the Show the Movie (2025)
98%
EDIT
“The ultimate "one for me," the kind of thing produced once creators have a seemingly blank check and the fear they’ll never get to do this again, let alone at this audacious scale.” –
The Film Stage
Feb 11, 2026
Full Review
Mistress Dispeller (2024)
95%
EDIT
“Because the filmmakers need to protect the privacy of those involved, there’s simply not much we can glean about the subjects’ personalities or histories, leaving them to come across like ciphers.” –
The Film Stage
Oct 20, 2025
Full Review
Lurker (2025)
94%
B+
EDIT
“Lurker ultimately rights the ship, in the end revealing itself to be a film about exploitation, where the line between who’s exploited and who’s exploiting becomes so blurred as to be nonexistent by the end.” –
AwardsWatch
Aug 18, 2025
Full Review
40 Acres (2024)
90%
8/10
EDIT
“Derivative of other post-apocalyptic stories as it may be, 40 Acres gives plenty of the tense home-invasion thrills you come for mixed in with a plea for togetherness and only a little bit of sappiness. ” –
IGN Movies
Jul 3, 2025
Full Review
Alma & the Wolf (2025)
6/10
EDIT
“The comically tinged horror movie is endearingly off-kilter (if indecisive) in the early stages, and actually manages to make a mystery out of its characters. But in the end, they’re about as well-drawn as the ones in any monster movie. ” –
IGN Movies
Jun 20, 2025
Full Review
Shadow Force (2025)
30%
3/10
EDIT
“It may not be an unwatchable disaster, but it’s too boring to be anything like dumb fun. You could call lead actors Omar Sy and Kerry Washington miscast, but no one’s enough of a character to even judge their proper performances.” –
IGN Movies
May 12, 2025
Full Review
Sister Midnight (2024)
98%
EDIT
“Whatever its easygoing nature, Sister Midnight remains entertaining and visually distinguished, with aid from Interpol’s Paul Banks on the score. It may not fully congeal, but neither does Uma––that’s just life.” –
The Film Stage
May 12, 2025
Full Review
Gazer (2024)
80%
EDIT
“Even as it stumbles, Gazer remains nothing less than a wholly unique mood. Perhaps the biggest compliment one would give is that it leaves you clamoring for whatever Sloan and Mastronianni do next.” –
The Film Stage
Apr 8, 2025
Full Review
Dìdi (2024)
96%
8/10
EDIT
“A crowd-pleaser that doesn’t shy away from complicating what you think you know of Chris and his story, while at the same time celebrating the process of being a screw-up. ” –
IGN Movies
Aug 6, 2024
Full Review
Fancy Dance (2023)
96%
7/10
EDIT
“Fancy Dance is a tremendous showcase for Lily Gladstone, confirming that they’re a major talent. ” –
IGN Movies
Jun 21, 2024
Full Review
Riddle Of Fire (2023)
79%
10/10
EDIT
“Weston Razooli has cultivated a totally unique atmosphere brought to life by four pitch-perfect child performances and a script that’s equal parts cowboy poetry and the silly side of Adult Swim.” –
IGN Movies
Mar 21, 2024
Full Review
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