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Alison Willmore

Tomatometer-approved critic

Reviews

Movies TV Shows
Teenage Sex and Death at Camp Miasma (2026) 100% EDIT “When Schoenbrun’s movie does give its main character everything she wants, it doesn’t play like a withdrawal into the past at all but something more poignant — a means of reconnecting with some part of that initial encounter with a work that moved her.” – New York Magazine/Vulture May 15, 2026 Full Review Club Kid (2026) EDIT “Firstman himself is plenty charming too, as eager to cede the spotlight to his sharper costars as he is to lean into Peter’s arrested development.” – New York Magazine/Vulture May 15, 2026 Full Review The Sheep Detectives (2026) 94% EDIT “The reason the sheep are capable of conveying emotionally resonant experiences is because there’s a tangibility to them onscreen that’s not just about design but to how well they fit within the movie’s slightly heightened reality.” – New York Magazine/Vulture May 8, 2026 Full Review Mortal Kombat II (2026) 65% EDIT “Mortal Kombat II is just McQuoid turning a big dial that says “fan service” while looking back at test audiences for their reaction.” – New York Magazine/Vulture May 6, 2026 Full Review Our Land (2025) 97% EDIT “That unnatural quality of drone footage, its ability to pull up off the ground and pivot as if you’re fiddling with Google Earth, is something Martel turns into an asset throughout the film.” – New York Magazine/Vulture May 1, 2026 Full Review Apex (2026) 66% EDIT “Apex never quite knits together Ben’s mommy issues with Sasha’s more complicated ones, but it’s a satisfying showcase for Theron’s continued capacity as one of our most reliable action stars.” – New York Magazine/Vulture Apr 27, 2026 Full Review Michael (2026) 39% EDIT “What Jaafar does amounts to an elaborate impression instead of an interpretation, re-creating the voice and the famous choreography and otherwise staring blankly into the middle distance when called upon to transmit emotions. ” – New York Magazine/Vulture Apr 23, 2026 Full Review Blue Heron (2025) 97% EDIT “Blue Heron becomes something truly masterful.” – New York Magazine/Vulture Apr 20, 2026 Full Review Lee Cronin's The Mummy (2026) 46% EDIT “...maybe The Mummy just isn’t very inspired. ” – New York Magazine/Vulture Apr 17, 2026 Full Review Mother Mary (2026) 71% EDIT “It’s when they’re meant to seem like real people that Mother Mary stumbles. ... And even then, Lowery is too compelling a stylist and has too earnest a heart for what he’s made to be easily shrugged off.” – New York Magazine/Vulture Apr 14, 2026 Full Review Faces of Death (2026) 68% EDIT “A clever, nastily contemporary riff on what the original represents.” – New York Magazine/Vulture Apr 13, 2026 Full Review The Christophers (2025) 95% EDIT “ For all the undercurrents about fame, commodification, and reputation that flow through The Christophers, at its core is a more plaintive lament about what it feels like to love something that doesn’t love you back.” – New York Magazine/Vulture Apr 10, 2026 Full Review Exit 8 (2025) 93% EDIT “Exit 8 is a thriller about how the idea of being a parent can become so abstract that it feels immense and terrifying, but that it’s not actually that daunting to decide to be there for another person, whatever that might mean.” – New York Magazine/Vulture Apr 9, 2026 Full Review They Will Kill You (2026) 65% EDIT “But for all its bloodshed, the movie’s not sharp enough to land a cutting blow — or even to break skin.” – AV Club Mar 30, 2026 Full Review Miroirs No. 3 (2025) 95% EDIT “The key to its unsettling pleasures is the way it acknowledges that what is happening is disturbing only if one of its characters says it is. ” – New York Magazine/Vulture Mar 23, 2026 Full Review undertone (2025) 74% EDIT “Undertone is creepy enough without needing to knit its haunting into its main character’s background so clunkily; ironically, its most effective moments are ones of stylistic indifference. ” – New York Magazine/Vulture Mar 13, 2026 Full Review THE BRIDE! (2026) 57% EDIT “It feels like something that didn’t have a consistent vision to begin with and that flounders not just to convey larger ideas, but what’s even going on from sequence to sequence. ” – New York Magazine/Vulture Mar 5, 2026 Full Review Wuthering Heights (2026) 57% EDIT “Wuthering Heists is Fennell’s dumbest movie, and I say that with all admiration, because it also happens to be her best to date. ” – New York Magazine/Vulture Feb 9, 2026 Full Review Sirāt (2025) 90% EDIT “Sirāt brilliantly depicts that bubble breaking, its characters confronted with what it really means to be a citizen of the world, rather than gliding above it, with the music turned up loud enough to not have to listen.” – New York Magazine/Vulture Feb 9, 2026 Full Review Melania (2026) 10% EDIT “Melania can’t, despite its efforts, make its subject look like the movie star it tries to pretend she is, but she’s not the reason people will buy tickets. ” – New York Magazine/Vulture Feb 2, 2026 Full Review Send Help (2026) 93% EDIT “Raimi indulges Send Help’s gore and gross-out moments with the zest of someone returning to his cult-favorite roots. ” – New York Magazine/Vulture Jan 30, 2026 Full Review Anaconda (2025) 47% EDIT “Anaconda is too grown-up to work for the Jumanji set but not grown-up enough to actually explore these disappointments and deferred dreams.” – New York Magazine/Vulture Dec 23, 2025 Full Review Ella McCay (2025) 23% EDIT “Ella McCay feels like outsider art — like it was made without any familiarity with the conventions of narrative structure or character beats.” – New York Magazine/Vulture Dec 12, 2025 Full Review The Secret Agent (2025) 98% EDIT “If The Secret Agent is as complex and rewarding as a taste from a dusty bottle of wine, it’s also part of an ongoing consideration in this year’s releases about what it means to be part of a resistance.” – New York Magazine/Vulture Dec 1, 2025 Full Review Zootopia 2 (2025) 91% EDIT “Zootopia 2 sets up parallels that strain even more at the seams.” – New York Magazine/Vulture Nov 26, 2025 Full Review
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