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Dutton Ranch: Season 1
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Devil May Cry: Season 2
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Nemesis: Season 1
90% -
Everyone Is Doing Great: Season 2
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On the Roam: Season 2
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Welcome to Wrexham: Season 5
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Off Campus: Season 1
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Lord of the Flies: Season 1
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From: Season 4
100% -
The Chestnut Man: Season 2
100% -
Nemesis: Season 1
90% -
The Dark Wizard: Season 1
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M.I.A.: Season 1
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Cannes 2026 Movies Ranked by Tomatometer
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Cannes Ketchup – Day 3: Asghar Farhadi’s Parallel Tales Earns a Rotten Reception
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Rotten Tomatoes to Provide Grants for Critics Attending TIFF 2026
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Massachusetts Review
Massachusetts Review is not a Tomatometer-approved publication. Reviews from this publication only count toward the Tomatometer® when written by the following Tomatometer-approved critic(s): Pauline Kael.
| Rating | Title | Year | Author | Quote |
|---|---|---|---|
| La Dolce Vita (1960) | Pauline Kael |
La Dolce Vita wants to be a great film -- it cries out its intentions -- and it’s frequently clever, as in the statue hanging from the helicopter, and it’s sometimes effective, as, near the end, when Marcello throws the feathers. And that is all it is.
Posted Sep 11, 2023
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|
| Last Year at Marienbad (1961) | Pauline Kael |
Enthusiasts for the film start arguing about whether something happened last year at Marienbad, and this becomes rather more important than what happens on the screen in front of them -- which isn't much.
Posted Sep 11, 2023
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| La Notte (1961) | Pauline Kael |
I dislike La Notte. Perhaps detest is the better word.
Posted Sep 11, 2023
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