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Peter Gray

Tomatometer-approved critic
Biography:

Peter Gray is an Australian-based, internationally reached senior film critic, editor and entertainment reporter for The AU Review. His work has been quoted across multiple film campaigns and featured in such publications as Variety, as well as contributions to Cinefied.

Reviews

Movies TV Shows
Forge (2025) 87% 3/5 EDIT “Less a glossy crime thriller and more a melancholy character study about people trying to counterfeit a version of success they were never invited into.” – The AU Review May 14, 2026 Full Review Obsession (2025) 94% EDIT “Wild debut from writer/director Curry Barker, who merges romantic objectification, the subsequent toxicity of that, and the supernatural notion around a monkey's paw together in a vat of dark humour and shocking gore” – Cinefied May 14, 2026 Full Review In the Grey (2026) 60% 3/5 EDIT “It may not sit alongside [Guy Ritchie'] very best work, but it serves as a stylish reminder that when he stays in his lane [...] few filmmakers make crime capers feel this effortlessly cool.” – The AU Review May 14, 2026 Full Review Birthright (2025) 3.5/5 EDIT “Sharp, uncomfortable, and darkly hilarious, Birthright turns a deeply modern housing nightmare into an entertaining and biting portrait of generational frustration. It’s one of those rare films that feels exaggerated and painfully real at the same time.” – The AU Review May 13, 2026 Full Review Mother Mary (2026) 71% 2.5/5 EDIT “Mother Mary ultimately plays like a gorgeous nervous breakdown: ambitious, self-indulgent, frustrating, occasionally intoxicating, and far more interesting to think about afterwards than it is to actually sit through.” – The AU Review May 12, 2026 Full Review Iron Maiden: Burning Ambition (2026) 83% 3.5/5 EDIT “Rather than alienating outsiders with dense fan service, Burning Ambition opens the door wide and makes a compelling case for why Iron Maiden continue to matter fifty years later.” – The AU Review May 7, 2026 Full Review Mortal Kombat II (2026) 65% 3/5 EDIT “It is loud, violent, messy, funny and frequently ridiculous – but crucially, it knows that. For fans, this is a blood-soaked step in the right direction.” – The AU Review May 6, 2026 Full Review Hokum (2026) 89% 2.5/5 EDIT “Ultimately, Hokum is a film caught between two identities: a meditative exploration of grief and a more traditional supernatural thriller. It never quite reconciles the two.” – The AU Review Apr 30, 2026 Full Review The Devil Wears Prada 2 (2026) 78% 4/5 EDIT “It honours what came before while confidently stepping into something new, ultimately proving that this story – and these characters – still have plenty to say.” – The AU Review Apr 29, 2026 Full Review Wolfram (2025) 96% 3/5 EDIT “It may not reach the stark, poetic heights of Samson and Delilah, but Wolfram stands as a powerful and visually arresting addition to Thornton’s body of work.” – The AU Review Apr 29, 2026 Full Review The Sheep Detectives (2026) 94% 3.5/5 EDIT “It’s a charming, quietly profound little whodunit that sticks with you – for its laughs, yes, but also for its surprisingly tender view of the world.” – The AU Review Apr 27, 2026 Full Review Apex (2026) 66% 3.5/5 EDIT “At a tight 100 minutes, Apex understands exactly what it is: a sharp, well-crafted ride that leans into performance, place, and momentum. And sometimes, that’s more than enough.” – The AU Review Apr 24, 2026 Full Review Michael (2026) 39% 2.5/5 EDIT “Intermittently electrifying, often frustratingly hollow, and ultimately too cautious to do justice to its subject.” – The AU Review Apr 21, 2026 Full Review Lee Cronin's The Mummy (2026) 46% 3.5/5 EDIT “It’s eerie, emotionally grounded, and anchored by a breakout performance that signals a formidable new talent.” – The AU Review Apr 16, 2026 Full Review Beast (2026) 82% EDIT “By the time the credits roll, Beast may not have reinvented the genre, but it doesn’t need to. It lands its punches where it counts - on the idea that redemption isn’t found in victory, but in the willingness to keep getting back up.” – Cinefied Apr 14, 2026 Full Review Wasteman (2025) 100% 4/5 EDIT “It may not be easy viewing, but it’s the kind of film that lingers – long after the cell door finally opens.” – The AU Review Apr 13, 2026 Full Review A Love Like This (2026) 3.5/5 EDIT “Quietly affecting: a romance that understands love not as a solution, but as a complication.” – The AU Review Apr 9, 2026 Full Review You, Me & Tuscany (2026) 66% 2/4 EDIT “As it stands, though, it’s a glossy imitation of a formula that requires a lighter touch and a stronger point of view.” – The AU Review Apr 9, 2026 Full Review The Drama (2026) 76% 4.5/5 EDIT “It’s provocative, yes. Potentially confronting, absolutely. But above all, it’s thrillingly alive – messy, funny, unsettling, and just a little bit dangerous. Exactly the kind of drama worth having.” – The AU Review Apr 2, 2026 Full Review The Super Mario Galaxy Movie (2026) 42% 2/5 EDIT “Falls into a classic sequel trap: bigger, busier, and far less focused. ” – The AU Review Apr 1, 2026 Full Review Father Mother Sister Brother (2025) 84% 3.5/5 EDIT “It’s a film to savour – unassuming, wryly funny, and unexpectedly moving in the way it sneaks up on you.” – The AU Review Mar 31, 2026 Full Review The Magic Faraway Tree (2026) 91% 3/5 EDIT “An amiable, gently charming adaptation – one that embraces imagination over logic, even if it occasionally leaves you wishing for a little more substance among the sweetness.” – The AU Review Mar 26, 2026 Full Review They Will Kill You (2026) 65% 3.5/5 EDIT “A savage, stylish, and relentlessly entertaining mash-up of action and horror that rarely lets you catch your breath.” – The AU Review Mar 26, 2026 Full Review The Pirate King (2026) 3.5/5 EDIT “Deeply human, disarmingly funny, and quietly powerful.” – The AU Review Mar 24, 2026 Full Review Crash Land (2026) 100% 3.5/5 EDIT “It’s a heartfelt, frequently hilarious reminder that sometimes the messiest stories are the ones that resonate the most.” – The AU Review Mar 23, 2026 Full Review
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