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Todd Jorgenson

Tomatometer-approved critic
Official Website:

http://www.dentonrc.com/entertainment

Reviews

Movies TV Shows
Dracula (2025) 56% EDIT “This handsomely mounted if wildly uneven adaptation is atmospheric and evocative yet almost cartoonishly over the top and difficult to take seriously.” – Cinemalogue Feb 6, 2026 Full Review The Moment (2026) 62% EDIT “It’s both self-deprecating and self-indulgent, without enough laughs to satisfy anyone but the most ardent fans.” – Cinemalogue Feb 6, 2026 Full Review Whistle (2025) 58% EDIT “Featuring characters whose deaths are more compelling than their lives, this lackluster supernatural horror flick is strictly for gore-seeking genre devotees.” – Cinemalogue Feb 6, 2026 Full Review Teacher's Pet (2025) EDIT “Between the shallow characters and the absurd twists, this low-budget suburban thriller never feels grounded in real-world fears and anxieties enough to generate consistent suspense.” – Cinemalogue Feb 6, 2026 Full Review The President's Cake (2025) 100% EDIT “Layering melancholy charm into a powerful look at sociopolitical oppression and indoctrination, this coming-of-age drama is a quietly perceptive story of childhood innocence.” – Cinemalogue Feb 6, 2026 Full Review Pillion (2025) 100% EDIT “This bittersweet comedy resonates with refreshing candidness and heartfelt charm to overcome its contrivances as a wish-fulfillment fantasy.” – Cinemalogue Feb 6, 2026 Full Review Jimpa (2025) 56% EDIT “Despite some richly textured performances and intriguing character dynamics, this earnest family drama about queer identity and acceptance becomes overwhelmed by heavy-handed sentimentality.” – Cinemalogue Feb 6, 2026 Full Review Send Help (2026) 93% EDIT “With its clever concept and delightfully offbeat sensibility, this dark comic thriller has style and attitude to spare.” – Cinemalogue Jan 31, 2026 Full Review Shelter (2026) 63% EDIT “Statham's latest revenge thriller winds up as only a slight variation on his tried-and-true vigilante template.” – Cinemalogue Jan 31, 2026 Full Review Worldbreaker (2025) 50% EDIT “The action is relegated largely to bookend sequences, perhaps due to budget constraints, turning the film into a coming-of-age empowerment story that struggles to forge new territory or generate consistent suspense.” – Cinemalogue Jan 31, 2026 Full Review A Poet (2025) 100% EDIT “... examines self-destructive obsession while effectively shifting tones between poignant character study and absurdist art satire.” – Cinemalogue Jan 31, 2026 Full Review Pike River (2025) 83% EDIT “Although the film’s underdog trajectory is familiar, focusing on the emotional journey of the two persistent yet otherwise unassuming crusaders at its core keeps its righteous indignation from feeling heavy-handed.” – Cinemalogue Jan 31, 2026 Full Review Natchez (2025) 100% EDIT “The sociological themes resonate beyond the boundaries of the titular Mississippi riverfront city in this fascinating documentary about generational shifts and historical reckonings.” – Cinemalogue Jan 31, 2026 Full Review The Love That Remains (2025) 94% EDIT “The melancholic screenplay is heavily fragmented, yet there’s a tenderness and intimacy to the storytelling that deepens its emotional impact.” – Cinemalogue Jan 31, 2026 Full Review Islands (2025) 93% EDIT “The deliberately paced film rewards patience by steadily building suspense through an ambiguity that rarely feels forced.” – Cinemalogue Jan 31, 2026 Full Review Arco (2025) 92% EDIT “Within its relaxed rhythm, his coming-of-age fantasy features striking imagery combined with a simple yet charming story rooted in real-world emotions.” – Cinemalogue Jan 31, 2026 Full Review The Wrecking Crew (2026) 74% EDIT “While the film literally plays to the strengths its stars, the gags feel labored and any attempt to escalate the underlying emotional stakes falls flat.” – Cinemalogue Jan 28, 2026 Full Review Mercy (2026) 24% EDIT “This ticking-clock thriller is too half-hearted to be provocative, and too contrived to yield sufficient emotional depth or moral complexity.” – Cinemalogue Jan 23, 2026 Full Review H Is for Hawk (2025) 80% EDIT “The majestic avian co-star steals the show in this bittersweet saga of grief and healing that tugs too aggressively at the heartstrings.” – Cinemalogue Jan 23, 2026 Full Review Clika (2026) 10% EDIT “This earnest coming-of-age drama adheres to a generic rags-to-riches framework. It’s not nearly as compelling when the tunes aren’t playing.” – Cinemalogue Jan 23, 2026 Full Review My Animal (2023) 71% EDIT “... struggles to mesh its disparate ideas and escape its almost dreamlike trance. It’s too uneven to show its teeth.” – Cinemalogue Jan 23, 2026 Full Review Signing Tony Raymond (2025) 75% EDIT “Maybe it deserves credit for trying to tackle the cesspool of contemporary college football recruiting, but this comedy is too detached from reality to score either as a broad lampoon or an underdog crowd-pleaser.” – Cinemalogue Jan 23, 2026 Full Review The Rip (2026) 80% EDIT “Amounting to a side project for Damon and Affleck, this formulaic crime thriller lacks sufficient character depth and thematic complexity to escalate the stakes as intended.” – Cinemalogue Jan 16, 2026 Full Review Sound of Falling (2025) 94% EDIT “Relentlessly bleak yet powerfully audacious, this haunting German drama builds cumulative potency from its overlapping stories.” – Cinemalogue Jan 16, 2026 Full Review A Private Life (2025) 81% EDIT “Jodie Foster’s playfully wily performance outshines the uneven script in this slight French caper, in which the silliness overwhelms the suspense.” – Cinemalogue Jan 16, 2026 Full Review
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