Pillion (2025)
100%
3.5/4
EDIT
“In this queer BDSM romdomcom with a core of sweetness, Alexander Sarsgård and Harry Melling bring passion and compassion to a taboo subject rare in mainstream cinema. It’s about time.” –
The Travers Take
Feb 7, 2026
Full Review
Solo Mio (2026)
81%
2.5/4
EDIT
“See this romcom for the soft side of Kevin James as a jilted groom in Roma and Italian scenery that’s gorgeous in any language. That’s the only way to come out ahead.” –
The Travers Take
Feb 7, 2026
Full Review
Dracula (2025)
55%
2/4
EDIT
“The bloodsucking Count is back again, but this time in a strangely bloodless love story that even wickedly seductive fangboy Caleb Landry Jones can’t save from the cliché stockpile ” –
The Travers Take
Feb 7, 2026
Full Review
Scarlet (2025)
73%
2/4
EDIT
“The visuals dazzle, the plotting not so much in this gender-switched take on "Hamlet" as a warrior princess revenge epic from Japanese anime master Mamoru Hosoda.” –
The Travers Take
Feb 7, 2026
Full Review
Days of Heaven (1978)
93%
EDIT
“Days of Heaven is too self-consciously beautiful to support its narrative framework. Intentionally or not, the wonders and horrors of nature dwarf the characters to such an extent that they are rendered insignificant and often boring by contrast.” –
Gannett Westchester Rockland Newspapers
Feb 4, 2026
Full Review
Send Help (2026)
93%
3/4
EDIT
“Looking for fun and a chance to scream, send for this hella horror comedy in which Rachel McAdams crash lands on a desert island with her bullying boss (Dylan O’Brien) and decides to even the odds. Despite a divisive ending, I smell a hit.” –
The Travers Take
Jan 30, 2026
Full Review
The Moment (2026)
62%
2/4
EDIT
“Props to Charli xcx for grabbing her brat moment at Sundance. The dance-pop princess shows real acting potential, even though this misbegotten mockumentary gives her few chances to show her range.” –
The Travers Take
Jan 30, 2026
Full Review
The Wrecking Crew (2026)
74%
3/4
EDIT
“This lean, mean, R-rated action machine is better than you'd think since Momoa and Bautista take the time, between fights and jokes, to examine the bruised places in the hearts of these half brothers. You feel for them, and that makes all the difference.” –
The Travers Take
Jan 30, 2026
Full Review
Islands (2025)
93%
3/4
EDIT
“A sexy tennis bum (Sam Riley) and a married woman (Stacy Martin) meet at a resort and stir up murderous thoughts in a too cryptic thriller fthat recalls Hitchcock and Antonioni while revealing a tormented mind of its own.” –
The Travers Take
Jan 30, 2026
Full Review
The Love That Remains (2025)
94%
3.5/4
EDIT
“I kept smiling watching this fractured family drama. A bizarre reaction for an Icelandic movie about the end of a marriage. But it’s the high spirits that stay with you in Hlynur Pálmason's charmer about the intangibles of love.” –
The Travers Take
Jan 30, 2026
Full Review
Mercy (2026)
24%
25/100
EDIT
“Chris Pratt sits in a witness hair for most of the action while I sit in wonder about how a movie with such timely potential—an AI arbiter (Rebecca Ferguson) serving as judge, jury and executioner— manages to fall so hard on its fatuous pretentions.” –
The Travers Take
Jan 23, 2026
Full Review
In Cold Light (2025)
48%
2/4
EDIT
“Maika Monroe plays a drug dealer facing off with her rodeo champ dad Troy Kotsur in a by-the-numbers thriller minus any real thrills. It’s the hints of a better film—fiercer, funnier, more attuned to a woman’s point of view—that nag at you.” –
The Travers Take
Jan 23, 2026
Full Review
H Is for Hawk (2025)
80%
3/4
EDIT
“In this slow but touching biopic, Claire Foy excels as an academic who buries her grief about her father’s death by caring for a predator goshawk, so both can relearn to fly.” –
The Travers Take
Jan 23, 2026
Full Review
The American President (1995)
90%
EDIT
“It’s a revamped Cinderella story with power as the aphrodisiac, and Douglas and Bening play it to the classy hilt. The courtship scenes in the film’s lighter, more deft first half have the bounce of a moonstruck fable.” –
Rolling Stone
Jan 22, 2026
Full Review
28 Years Later: The Bone Temple (2026)
92%
3/4
EDIT
“You’ll be thinking about this scary, savvy fright fest long after you wake up screaming.” –
The Travers Take
Jan 17, 2026
Full Review
The Rip (2026)
80%
2.5/4
EDIT
“It’s the Mattfleck starshine, plus the indisputable action bonafides of director Joe Carnahan, that sell this cop thriller when formula threatens to overtake it.” –
The Travers Take
Jan 17, 2026
Full Review
A Private Life (2025)
81%
2.5/4
EDIT
“Jodie Foster speaks French with elan, but even her indisputable star power and fun bond with costar Daniel Auteuil can’t keep this frothy bauble aloft.” –
The Travers Take
Jan 17, 2026
Full Review
Sound of Falling (2025)
94%
3.5/4
EDIT
“One thing is for sure about this century-spanning story about the dangers faced by young women trying to negotiate a safe space in a world of men—you’ll never forget it.” –
The Travers Take
Jan 17, 2026
Full Review
Dead Man's Wire (2025)
91%
3.5/4
EDIT
“Love that Gus Van Sant has crafted his true-crime hostage drama in the grand 1970s tradition of Sidney Lumet’s Dog Day Afternoon. Bill Skarsgard drops his Pennywise psycho clown persona to make his unmasked mark as an actor. And does he ever.” –
The Travers Take
Jan 9, 2026
Full Review
Primate (2025)
79%
2/4
EDIT
“As killer ape movies go, this one’s a bloody wonder—it’s too bad no one bothered to add plot, character or a reason to care” –
The Travers Take
Jan 9, 2026
Full Review
The Chronology of Water (2025)
89%
3.5/4
EDIT
“Kristen Stewart’s directing debut is not an easy sit, but with actress Imogen Poots, she creates an indelible, impressionistic film about a competitive swimmer that doesn’t follow tidy biopic rules or, let’s face it, any rules at all.” –
The Travers Take
Jan 9, 2026
Full Review
The Dutchman (2025)
59%
3/4
EDIT
“In a fresh film take a 1964 race play, Kate Mara’s sexed-up subway rider hits on André Holland like a white Eve out to destroy a Black Adam through assimilation, intimidation, and worse. You can’t watch it passively. It dares you to engage.” –
The Travers Take
Jan 9, 2026
Full Review
We Bury the Dead (2024)
88%
2.5/5
EDIT
“Before it reverts to moldy zombie tropes, this low-budget, no-frills survival thriller puts a fresh spin on the familiar thanks to Daisy Ridley as a human living among the walking dead.” –
The Travers Take
Jan 2, 2026
Full Review
The Plague (2025)
97%
3.5/4
EDIT
“A terrifying first film in which a tween water polo team becomes a "Lord of the Flies" metaphor for the hell of modern bullying. The scares are killer, but it’s the violence of the adolescent mind that hits hardest.” –
The Travers Take
Jan 2, 2026
Full Review
The Choral (2025)
68%
3/4
EDIT
“Stodgy? Maybe. But the sincerity of this crowdpleaser starring Ralph Fiennes as wartime choirmaster is a refreshing alternative to the glut of computer-generated junk that crowds our movie houses” –
The Travers Take
Jan 2, 2026
Full Review
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