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John C. Mosher

John C. Mosher's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).
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Stagecoach (1939) 100% EDIT “For the sake of the view, you forgive all. In Stagecoach, the view is certainly something, and it hardly matters at all what goes on. The credit for the valuable things in this film unquestionably belongs to the cameramen.” – The New Yorker Aug 15, 2022 Full Review The Lady Vanishes (1938) 98% EDIT “As full of surprises, horrors, thrills, even humor, as the other Hitchcock productions.” – The New Yorker Aug 11, 2022 Full Review The Wedding March (1928) 64% EDIT “From all this strife and toil, there comes forth at last a good picture, not perhaps so enthralling as Four Devils, or as ingenious as Lonesome, but one well worth seeing.” – The New Yorker Jan 20, 2022 Full Review The Battle of the Sexes (1928) EDIT “Though not badly acted by the pater involved, and by Phyllis Haver as the blondine, it's a very ordinary piece to come from a director with such claims to prestige as Mr. Griffith.” – The New Yorker Dec 15, 2021 Full Review The Black Cat (1941) EDIT “Quickly the film shows itself to be the usual kind of thing about an old house with secret passages, sliding panels, disappearing figures, reaching hands, and the like.” – The New Yorker Sep 6, 2018 Full Review The Flame of New Orleans (1941) 29% EDIT “With every picture now, Marlene Dietrich grows more and more a comic. I mean it in the most delightful and flattering sense, for the lady is very droll indeed, and charming also, in The Flame of New Orleans.” – The New Yorker Sep 6, 2018 Full Review Citizen Kane (1941) 99% EDIT “It is a triumph of the film, and proof of its solid value and of the sense of its director and all concerned, that a human touch is not lost. Sympathy for the preposterous Mr. Kane survives. Indeed, there is something about him which seems admirable.” – The New Yorker Sep 6, 2018 Full Review The Philadelphia Story (1940) 100% EDIT “The film is a Hepburn triumph, and moviegoers who resent the theatre's habit of requisitioning their stars may feel that Miss Hepburn's time on the stage has not been spent in vain and that she simply prepared herself for this achievement.” – The New Yorker Dec 16, 2013 Full Review It Happened One Night (1934) 98% EDIT “The picture is pretty much nonsense and quite dreary, except for natural touches of the habits of the travellers.” – The New Yorker Jan 22, 2010 Full Review
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