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Rating Title | Year Author Quote
All of a Sudden (2026) Pete Hammond With All of a Sudden, a film with much to recommend about it, the overall impact is diluted due to the length of some sequences which feel endless and almost more like an academic exercise than an actual movie.
Posted May 15, 2026  Edit critic review
Club Kid (2026) Damon Wise Its anything-goes approach to sexuality is intoxicatingly inclusive, and despite the loucheness of the denizens of the demi-monde, the film will strike a chord with any retired party animal.
Posted May 15, 2026  Edit critic review
Parallel Tales (2026) Pete Hammond What Farhadi has brilliantly cooked up ultimately feels wholly original and deliciously crafted on every level. This is one of those crackerjack stories with great characters that grabs you right from the start and doesn’t let go for a minute.
Posted May 14, 2026  Edit critic review
Fatherland (2026) Stephanie Bunbury It’s an ambitious undertaking, as you’d expect from the director of Ida and the equally diamond-sharp Cold War, but Pawlikowski has an ideal screen partner in Hüller, who can convey four emotions at once with no more than a sideways glance.
Posted May 14, 2026  Edit critic review
Teenage Sex and Death at Camp Miasma (2026) Damon Wise It’s a tough act to pull off, but Einbinder does it, with the strength and vulnerability that is necessary to make this trippy, gory and still somehow perversely romantic love story its beating, bloody heart.
Posted May 13, 2026  Edit critic review
Ashes (2026) Pete Hammond Ashes is a powerful and moving motion picture. It is also unique in dealing directly with the hot-button topic of immigration, but surprisingly in two countries that speak the same language.
Posted May 13, 2026  Edit critic review
Butterfly Jam (2026) Damon Wise A film that began promisingly and precisely ends in an explosion of baffling non-sequiturs. Keoghan tries his best with the material, but there’s not really much he can do with it.
Posted May 13, 2026  Edit critic review
Nagi Notes (2026) Damon Wise Since no genre really exists to accommodate it, Nagi Notes could fittingly be described as scenic cinema; slow for sure but revealing in the same way a slow train can really open up the passing landscape.
Posted May 13, 2026  Edit critic review
A Woman's Life (2026) Pete Hammond Bourgeois-Tacquet’s solid female-centric drama is not what you might call thrilling cinema, but it is worthwhile, and in Drucker’s hands we have a character who is something special to behold.
Posted May 13, 2026  Edit critic review
The Electric Kiss (2026) Pete Hammond The Electric Kiss may not be “electric” cinema itself, but as a Cannes opener it does the job and fits the bill nicely.
Posted May 12, 2026  Edit critic review
The Devil Wears Prada 2 (2026) Damon Wise Worst of all, like Zoolander 2 did before it, the film badly miscalculates the value of showbiz and industry cameos.
Posted Apr 29, 2026  Edit critic review
The Sheep Detectives (2026) Pete Hammond Family films these days are generally reduced to animation, rarely live action, at least those that might appeal to every member of the family, but the whimsical and wonderful The Sheep Detectives is that rarity.
Posted Apr 27, 2026  Edit critic review
Michael (2026) Pete Hammond This guy channels Uncle Michael in uncanny ways, and simply sells this performance with all the right dance moves and sharp dramatic talent to make us believe Michael Jackson is once again with us.
Posted Apr 21, 2026  Edit critic review
Lee Cronin's The Mummy (2026) Gregory Nussen The film is just not very scary. It is appreciably nasty... But it would’ve been nice if that narrative work and characterization was more readily visible. Instead, too much of the film is hidden away behind layer upon layer of mummification.
Posted Apr 16, 2026  Edit critic review
Outcome (2026) Pete Hammond Where Hill gets his mojo to work is letting an exceptional cast do their thing and lift these episodic encounters to a level the script doesn’t provide.
Posted Apr 14, 2026  Edit critic review
Mother Mary (2026) Pete Hammond Lowery takes this situation and makes it weirdly mesmerizing with the help of two exceptional stars.
Posted Apr 14, 2026  Edit critic review
Tutu (2026) Damon Wise This suitably reverential doc shows the tip of that iceberg, offering a striking portrait of a leader with a strong moral compass and a fearlessness that now seems almost superhuman.
Posted Apr 02, 2026  Edit critic review
The Super Mario Galaxy Movie (2026) Glenn Garner A fun sequel full of nostalgic references, all-star voices and epic animation, grounded by the father-son story of redemption for Bowser and a sisterly origin story Princess Peach, both of which pave the way for more video game adaptation fun.
Posted Apr 01, 2026  Edit critic review
The Drama (2026) Pete Hammond As for the stars they could not be better, especially Pattinson who shows levels of vulnerability I have not noticed before. His journey into the dark side with his financee is pitch perfect.
Posted Mar 31, 2026  Edit critic review
Palestine '36 (2025) Damon Wise It's certainly refreshing to be credited with some intelligence, but the visual storytelling doesn't quite hit the same spot, often falling back on old tropes about cycles of violence that create new cycles of violence.
Posted Mar 27, 2026  Edit critic review
Our Hero, Balthazar (2025) Pete Hammond Try as hard as you might to resist this oddball pairing, the superb acting of Martell (also a producer) and a transformative Butterfield simply will not allow you to look away.
Posted Mar 26, 2026  Edit critic review
Their Town (2026) Pete Hammond The flow of the words, not fists, is what makes this small but lovely little indie work so well.
Posted Mar 24, 2026  Edit critic review
Campeón Gabacho (2026) Pete Hammond It is a film ultimately unique, moving and given real importance at this dark time for immigrants just like Liborio.
Posted Mar 24, 2026  Edit critic review
Bagworm (2026) Damon Wise The toxic world of the manosphere has seldom been so graphically or gruesomely rendered.
Posted Mar 20, 2026  Edit critic review
My Brother's Killer (2026) Damon Wise My Brother’s Killer is an overdue valediction for the victim, a romantic loner whose haunting and horribly prophetic poem “A Piece of Me” bookends the film, offering a poignant glimpse of a future that might have been but never was.
Posted Mar 18, 2026  Edit critic review
Love Language (2026) Glenn Garner Love Language is a return to classic rom-com form, with heart and humor, as well as a talented ensemble cast that beautifully brings Power’s script to life against a dreamy Chicago backdrop.
Posted Mar 18, 2026  Edit critic review
Sender (2026) Pete Hammond This is a promising debut for Goldman, who has found a way to take the more limited constraints of his short and to give it the purpose and time to thrive. It is a head-scratcher, but one well worth scratching.
Posted Mar 18, 2026  Edit critic review
The Saviors (2026) Pete Hammond I was never sure if [Kevin Hamedani] means this to be more comedic than thriller, but still I had a pretty good time, even if it could have been so much more.
Posted Mar 18, 2026  Edit critic review
Chili Finger (2026) Pete Hammond Chili Finger doesn’t rewrite the rules, but with a cast having a blast, it modestly provides a good ol’ time.
Posted Mar 18, 2026  Edit critic review
Crash Land (2026) Damon Wise Crash Land reveals itself as the warm and unexpectedly moving story of overgrown kids clinging onto their youth for just that little bit too long.
Posted Mar 18, 2026  Edit critic review
Basic (2026) Glenn Garner In the age of social media obsessions and waning monogamy, Basic is a ridiculously relatable laugh riot.
Posted Mar 18, 2026  Edit critic review
Forbidden Fruits (2026) Glenn Garner A worthy entry to the comedy horror genre that explores toxic feminism through the female gaze, filled with elements that nod to Mean Girls, Jawbreaker, The Craft, The Shining, Psycho and even a bloody fun dash of Final Destination.
Posted Mar 18, 2026  Edit critic review
They Will Kill You (2026) Glenn Garner With nods to films of the samurai and shoot-em-up genres, Beetz gives the physical performance of a lifetime.
Posted Mar 18, 2026  Edit critic review
Mike & Nick & Nick & Alice (2026) Glenn Garner Fans of the actor might enjoy the movie’s double dose of Vaughn, but it’s the supporting cast of Mike & Nick & Nick & Alice that makes it great.
Posted Mar 17, 2026  Edit critic review
Over Your Dead Body (2026) Glenn Garner With ample amounts of gore that somehow feels earned, Taccone weaves a fun, tense comedy thriller, with help from Segel and Weaving’s unhinged onscreen chemistry and a talented ensemble cast.
Posted Mar 15, 2026  Edit critic review
Power Ballad (2026) Glenn Garner Despite Power Ballad‘s comedic shortcomings, the film has the potential to serve as a feel-good movie for a date night or maybe even a comfort watch for artists who want to feel valued in an oversaturated creative landscape.
Posted Mar 15, 2026  Edit critic review
Pretty Lethal (2026) Glenn Garner With [Uma] Thurman leaving no crumbs in her performance as the revenge-seeking matriarch of criminals, she is complimented by a talented ensemble of young actresses.
Posted Mar 14, 2026  Edit critic review
Family Movie (2026) Pete Hammond There can be no question the Bacons are having a hell of a good time not only sending up this well-traveled genre but also deliciously adding more buckets of blood to it.
Posted Mar 14, 2026  Edit critic review
Ready or Not 2: Here I Come (2026) Glenn Garner This action-packed, blood-soaked sequel is just what fans have been waiting for the past seven years, hopefully paving the way for a trilogy in this sinister world Radio Silence has created.
Posted Mar 14, 2026  Edit critic review
Grind (2026) Damon Wise Though Grind also hits the occasional bump, the structure is built to absorb it, creating a believable world, with recurring characters and in-jokes that keep the wildly divergent plot on track.
Posted Mar 13, 2026  Edit critic review
Wishful Thinking (2026) Glenn Garner Pullman and Hawke incite emotional whiplash with their unique onscreen chemistry that works just as well when they’re at each other throats as when they’re steaming up the camera.
Posted Mar 13, 2026  Edit critic review
Seekers of Infinite Love (2026) Pete Hammond Apart from Strouse’s smart and funny script, what makes this little gem hum are the performances starting with Einbinder, who is a complete natural onscreen, just as she is in Hacks.
Posted Mar 13, 2026  Edit critic review
I Love Boosters (2026) Glenn Garner Eight years after his debut film Sorry to Bother You, Riley knocks it out of the park with another absurdist, stylized take on modern society, as Palmer’s performance grounds his writing to its real-world implications.
Posted Mar 13, 2026  Edit critic review
Project Hail Mary (2026) Pete Hammond A movie made for IMAX, Project Hail Mary is mission accomplished, an entertaining and engaging piece of science fiction that suggests even though we may be worlds apart, in order to save us from ourselves we must band together now more than ever.
Posted Mar 10, 2026  Edit critic review
Peaky Blinders: The Immortal Man (2026) Damon Wise The Immortal Man is an entertaining slice of British pulp that knows exactly what it is -- and Murphy knows exactly what he’s doing in it. To paraphrase Bob Marley, if the cap fits, let him wear it.
Posted Mar 05, 2026  Edit critic review
THE BRIDE! (2026) Pete Hammond Gyllenhaal proves after an impressive but much smaller directing debut with 2021’s The Lost Daughter (also with Buckley) that she can handle a movie on a very big scale with even bigger ideas.
Posted Mar 04, 2026  Edit critic review
Hoppers (2026) Dessi Gomez Hoppers delivers equal parts laughter and compassion with a sprinkle of tear-jerking scenes, as the studio’s narratives are known to do.
Posted Mar 02, 2026  Edit critic review
Scream 7 (2026) Pete Hammond It may have taken 30 years for Williamson to finally get to steer his own ship, but with Scream 7 it proves well worth the wait. Fans will approve.
Posted Feb 26, 2026  Edit critic review
Jane Austen's Period Drama (2024) Pete Hammond Jane Austen’s Period Drama is entertaining enough but basically a one-joke premise telegraphed by the cute title.
Posted Feb 24, 2026  Edit critic review
Butcher's Stain (2025) Pete Hammond Meyer Levinson-Blount’s compelling Butcher’s Stain feels a bit unremarkable until we really see where this is going, a subtle comment on the fraught tensions in the Middle East but played on a simple human level.
Posted Feb 24, 2026  Edit critic review
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