Masculine-Feminine

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Masculine-Feminine

1966

1h 43m

Romance

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Tomatometer

Popcornmeter

96%

Tomatometer

47 Reviews

86%

Popcornmeter

5,000+ Ratings

Paul (Jean-Pierre Léaud), a young idealist trying to figure out what he wants to do with his life, takes a job interviewing people for a marketing research firm. He moves in with aspiring pop singer Madeleine (Chantal Goya), and their affair often involves her two sexy roommates. Paul, however, is disillusioned by the growing commercialism in society, while Madeleine just wants to be successful. The story is told in a series of 15 unrelated vignettes.

Critics Consensus

A '60s time capsule stuffed with ideas about politics, pop culture, and the battle of the sexes, Masculine-Feminine is one of Godard's classic black-and-white films.

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Pauline Kael

The New Republic

08/30/2012

Using neither crime nor the romance of crime but a simple romance for a kind of interwoven story line, Godard has, at last, created the form he needed. It is a combination of essay, journalistic sketches, news and portraiture, love lyric and satire.

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Time Out

02/09/2006

Its parodies and satires are recklessly inventive, and its fundamental pessimism isn't as flip as it may at first seem.

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Terry Lawson

Detroit Free Press

10/14/2005

4/4

May not have aged any better than Godard's other films of the period, but that doesn't mean Paul and company don't continue to ask questions and spout the opinions of the newly enlightened.

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Brian Susbielles

InSession Film

03/06/2023

Godard takes another experimental view of his own movie, inserting documentary, outside sub-plots, and sudden intertitles that break the rules of storytelling, but because it’s Godard, we’re not surprised and is still very watchable.

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Sean Burns

Crooked Marquee

09/17/2022

There’s the creeping sensation that this giddy, pop culture oversaturation is no longer sustainable, especially as these characters inch into adulthood.

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David Harris

Spectrum Culture

11/16/2021

Though Léaud is a significant figure as an actor, he also represents something even more important: the portraits of two of the most important cinematic artists as young men.

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Alain E

@AlainE Aug 27

I thought I liked it when I saw it first time fifty something years ago. Today appears pointless and self satisfied. Viet nam war=bad. Love=good. I think the guy in the bowling parlor who stabs himself with a knife is a brief appearance of Jean Paul Belmondo. I like Jean-Pierre Leaud but here all the actors are being wasted being in a supposedly intellectual movie. On MAX. I watched up to the laundromat.

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Will G

@Wgoodeve 03/06/2025

A great film from Jean Luc Godard. It’s nice to see Paris and to practice my French. The acting and cinematography was good. It was a young adult romance. They go to a movie theater and a cafe.

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Dušan A

@RT86182278 11/13/2024

As Dragan Nikolic would say "It's Godard, there is no plot", but still a fun and beautiful movie

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Andr d

@RT84345753 07/15/2023

Obra memorável. A trilha sonora, os personalidade e a trama são perfeitos, certamente um dos melhores filmes que já assisti. Godard acertou em cheio nessa obra fantástica.

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Alexsander F

@Aelxs 07/02/2023

Filme fantástico, bem ao estilo Antonionni e com à assinatura inconfundível de Godard. Uma pitada policia bem sútil. Recomendo a todos que assistam à essa película.

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Luca D

@JoeCamel7 06/29/2023

The acting seemed very sub par and the writing might as well have been written by knowitall college students trying to prove they know more about politics than you do. The women in the movie seem to be deemed uninterested in life and what goes on around them, compared to the male counterparts (making them less important??). Not really sure what the movie is trying to prove, but there were some introspective scenes about young love that kept me watching. Probably won't watch again.

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Jean-Luc Godard

Director

Chantal Goya

Madeleine

Jean-Pierre Léaud

Paul

Marlène Jobert

Elisabeth

Michel Debord

Actor

Catherine-Isabelle Duport

Actor

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55%

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Synopsis

Paul (Jean-Pierre Léaud), a young idealist trying to figure out what he wants to do with his life, takes a job interviewing people for a marketing research firm. He moves in with aspiring pop singer Madeleine (Chantal Goya), and their affair often involves her two sexy roommates. Paul, however, is disillusioned by the growing commercialism in society, while Madeleine just wants to be successful. The story is told in a series of 15 unrelated vignettes.

Director: Jean-Luc Godard
Producer: Anatole Dauman, Jean-Luc Godard
Screenwriter: Guy de Maupassant, Jean-Luc Godard
Distributor: Royal Films International, Rialto Pictures
Production Co: Svensk Filmindustri (SF) AB, Sandrews, Anouchka Films, Argos Films
Genre: Romance
Original Language: French (France)
Release Date (Theaters): Mar 22, 1966, Original
Release Date (Streaming): Oct 15, 2020
Box Office (Gross USA): $199.9K
Runtime: 1h 43m
Sound Mix: Mono
Aspect Ratio: 35mm, Flat (1.37:1)